Medieval – STUDIA PHOTOS

Bologna, Emilia-Romagna, Italy Part VI

Chiesa Parrocchiale di Santa Maria della Carità, Via San Felice, Bologna

Inscription, San Nicolò di San Felice, Via San Felice, Bologna

San Nicolò di San Felice is a deconsecrated Roman Catholic church located on via San Felice 41 in Bologna, region of Emilia Romagna, Italy. Bombardment during World War two caused sufficient damage to close the brick walled structure with a front portico.

A church at the site is documented since the 12th-century, when it was located outside the city walls.

CRUCEM HANC
INSIGNE REDEMPTIONIS HUMANAE VEXILLUM
A BONONIENSIBUS CIVIBUS
VIX NASCENTE ECCLESIA
IN SUSCEPTAE FIDEI ARGUMENTUM
ERECTAM
INDE SAEPIUS INIURIA TEMPORUM COLLAPSAM
ITERUMQUE PRISTINO LOCO RESTITUTAM
VESPASIANUS GRIMALDI
ALPHONSO PALEOTTO ARCHIEPI(SCOPO) BONONIEN(SI)
SUB INITIUM SUPERIORIS SECULI (!)
IN VIAE HUIUS MEDIO
SUPER PONTEM QUO FIRMIUS SUBSISTERET
COLLOCAVIT
VERUM PONTE PRO AMPLIANDA VIA DESTRUCTO
EAMDEM CRUCEM
HIERONYMO GRIMALDO S(ANCTAE) R(OMANAE) E(CCLESIAE) CARDINALI
TIT(ULO) SANCTAE BALBINAE
BONONIAE LEGATO

PROSPER LAMBERTINUS S(ANCTAE) R(OMANAE) E(CCLESIAE) CARDINALIS

TIT(ULO) SANCTAE CRUCIS IN IERUSALEM

ARCHIEPISCOPUS BONONIENSIS
SACRI ROMANI IMPERII PRINCEPS
AEMULA MAIORUM SUORUM PIETATE
SUB HAC PORTICU SACRAE HUIUS AEDIS PARIETI
AFFIGI CURAVIT
ATQUE SOLEMNI RITU BENEDIXIT
OMNIBUSQUE CORAM IPSA DEVOTE ORANTIBUS
ET PRO PATRIAE INCOLUMITATE
VOTA SUA OMNIPOTENTI DEO NUNCUPANTIBUS
CENTUM DIERUM INDULGENTIAM BENIGNE CONCESSIT
ANNO MDCCXXXII
—

Translation
“This cross, an extraordinary sign of human redemption, erected by the citizens of Bologna when the church was just being born in defense of the embraced faith, then very often ruined by the ravages of time and each time restored in its original place, Vespasiano Grimaldi, when it was Archbishop of Bologna Alfonso Paleotti, at the beginning of the last century, placed it in the middle of this street above the bridge, so that it could resist more firmly.
However, this bridge having been destroyed to widen the road, when Girolamo Grimaldi, cardinal of the Holy Roman Church with the title of Santa Balbina, Prospero Lambertini, cardinal of the Holy Roman Church with the title of Santa Croce in Gerusalemme, Bologna, prince of the Holy Roman Empire, took care that the same cross was affixed under this portico on the wall of this sacred building and blessed it with a solemn rite and graciously granted one hundred days of indulgence to all those who prayed devoutly in front of it and who formulated their vows to Almighty God for the salvation of the country.
Year 1732 “.

Entrance, Palazzo Buriani, Via San Felice, Bologna

Basilica di San Francesco, Piazza Malpighi, Bologna

In the foreground is one of the Tombe dei Glossatori – Historical tombs dedicated to the first university teachers.

Coat of Arms, Via Rizzoli, Bologna

Towers of Basilica di San Francesco & Colonna dell’Immacolata, Piazza Malpighi, Bologna

Chiesa del Santissimo Salvatore, Via Cesare Battisti & Via VI Novembre, Bologna

Wrought Iron Guard, Via Porta Nova, Bologna

Statue of San Domenico, Cnr Via Porta Nova & Via Cesare Battisti, Bologna

Saint Dominic, also known as Dominic of Osma and Dominic of Caleruega, often called Dominic de Guzmán and Domingo Félix de Guzmán; 8 August 1170 – 6 August 1221), was a Castilian Catholic priest and founder of the Dominican Order. Dominic is the patron saint of astronomers.

The “canopy” above the statue is referred to as a “baldachin” or “baldaquin”.

The church, statues and guard are all visible on this Street View!

Entrance to Residential Block, Via Cesare Battisti, Bologna

Entrance, Palazzo del Governo, Piazza Franklin Delano Roosevelt, Bologna

Colonnade, Palazzo del Governo, Piazza Franklin Delano Roosevelt, Bologna

Colonnade, Prefettura di Bologna, Piazza Galileo Galilei, Bologna

Artwork in the Colonnade, Prefettura di Bologna, Piazza Galileo Galilei, Bologna

Santuario di Santa Maria della Vita, Via Clavature, Bologna

Salumeria Simoni, Via Drapperie, Bologna

Quadrilatero Fiorito, 6 Via Drapperie, Bologna

Carving, Doorway, 5 Via Drapperie, Bologna

Flags, Cnr Via Drapperie & Via Pescherie Vecchie, Bologna

Memorial, P Marella Padre dei Poveri, Cnr Via Caprarie & Via Drapperie, Bologna

Fr Marella Father of the Poor

This Street View shows a Monk collecting for the charity sitting in front of that memorial plate.

Stone Carving, Cnr Via Caprarie & Via Drapperie, Bologna

Sits above the Memorial to P Marella Padre dei Poveri

Basilica Santi Bartolomeo e Gaetano, Piazza di Porta Ravegnana, Bologna

Enjoy a Beer, Caffé Maxim, Piazza della Mercanzia, Bologna

Along the Colonnade, Via Rizzoli, Bologna

Along the Colonnade, Piazza della Mercanzia, Bologna, Emilia-Romagna, Italy

Piazza di Porta Ravegnana, Bologna

Strada Maggiore, Bologna

It is the only Bolognese street to have preserved the urban designation of “strada” (from the Latin sternere : “pavement”), dating back to Roman times and confirmed by the Napoleonic reform of 1801

Roadside View, A1-Autostrada del Sole, Roncobilaccio, Baragazza

Bologna, Emilia-Romagna, Italy Part V

From the Breakfast Table, Hotel San Donato, Palazzo Malvasia, Via Zamboni, Bologna

Our Hire Car, Courtyard, Hotel San Donato (Palazzo Malvasia), Bologna

Piazza di Porta Ravegnana, Bologna

Piazza Maggiore, Bologna

Piazza Re Enzo, Bologna

Palazzo del Podestà, Piazza Re Enzo, Bologna

Piazza della Mercanzia, Bologna

View Along Via Rizzoli, Bologna

Via De’ Giudei, Bologna

LaFeltrinelli Librerie, Piazza di Porta Ravegnana, Bologna

(A Bookshop)

Doorway, 1 Piazza di Porta Ravegnana, Bologna

“Spiritus Intus Alit”, Basilica Santi Bartolomeo e Gaetano, Piazza di Porta Ravegnana, Bologna

(Main doorway and bas relief each side)

The Latin Inscription “Spiritus Intus Alit” Translates as- “Spirit within sustains”

Short guide to the Basilica of Saints Bartolomeo and Gaetano

Basilica Santi Bartolomeo e Gaetano, Piazza di Porta Ravegnana, Bologna

Carabinieri Cars, Via San Vitale, Bologna

Statue Of San Petronius, Piazza Di Porta Ravegnana, Bologna

Saint Petronius was bishop of Bologna during the fifth century. He is a patron saint of the city. Born of a noble Roman family, he became a convert to Christianity and subsequently a priest. As bishop of Bologna, he built the Church of Santo Stefano.

Medieval Building, Piazza di Porta Ravegnana, Bologna

Le Due Torri: Garisenda e degli Asinelli, Piazza di Porta Ravegnana, Bologna

See Street View!

Coat of Arms, Via Rizzoli, Bologna

Biblioteca Salaborsa, Piazza del Nettuno, Bologna

Gated Entrance, Palazzo Re Enzo, Piazza del Nettuno, Bologna

Take a Tour Inside

Ornate Street Lamp. Piazza del Nettuno, Bologna

Fontana Vecchia, Via Ugo Bassi, Bologna

By Sicilian Artist Tommaso Laureti 1565

Entrance, Cattedrale Metropolitana di San Pietro, Via dell’Indipendenza, Bologna

Staircase, Via dell’Indipendenza, Bologna

“Libertas”, Cnr Via Ghirlanda & Via Ugo Bassi, Bologna

(This sits above what is now a menswear shop)

Banco di Roma Clock, Via Ugo Bassi, Bologna

Hotel Carosello (B&B), 26 Via San Felice, Bologna

Arcade, 48 Via San Felice, Bologna

Doorway, Chiesa Parrocchiale di Santa Maria della Carità, Via San Felice, Bologna

Porta San Felice, Piazza di Porta San Felice, Bologna

Porta San Felice was the westernmost gate or portal of the former outer medieval walls of the city of Bologna, Italy. The gate was erected in the 13th century, and rebuilt in 1334 with a machiocolated tower and drawbridge. It was restored in 1508, and again in 1805 when Napoleon visited the city. In 1840, the flanking walls were torn down. A barracks and tax house for collecting duties was in the past found astride the entrance.

Doorway, 137 Via San Felice, Bologna

Door Furniture, 121 Via San Felice, Bologna

Bologna, Emilia-Romagna, Italy Part IV

It’s been a while since the last post so here’s the continuation of Bologna.

Rooftop View from the Dining Room of Hotel San Donato, Via Zamboni, Bologna

Basilica di San Petronio, Piazza Maggiore, Bologna

Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954.

Alfresco Area, L’Asporto, Via Guglielmo Oberdan, Bologna

Doorway, 2 Via San Nicolò, Bologna

Doorway, 15 Via Altabella, Bologna

Fontana del Nettuno (Fountain of Neptune), Piazza Pettuno, Bologna

The construction of the fountain was commissioned by the Cardinal Legate Charles Borromeo, to symbolize the fortunate recent election of Borromeo’s uncle as Pope Pius IV. To clear space for the fountain, an entire edifice had to be demolished.

The design and assembly of the fountain was completed by the Palermitan architect Tommaso Laureti in 1563. The fountain was completed in 1565. The over-life-size bronze figure of the god Neptune was completed and fixed in place around 1566.

Palazzo del Podestà, Piazza Maggiore, Bologna

Portico, Via Zamboni, Bologna

Reminders of the Past, Arcidiocese di Bologna, Via Altabella, Bologna

See this on Street View

Torre Prendiparte (also called Torre Coronata), Piazzetta Prendiparte, Via Sant’Alò, Bologna

This tower built in the 12th century and standing 61 metres tall, today has a slight incline to the north. The tower was part of the so-called triad of medieval skyscrapers together with those of the Galluzzi and the Azzoguidi . It was sold for the first time in 1293 for 500 lire.

Stone Carving, Via Rizzolo, Bologna

Pope Gregory XIII, Palazzo d’Accursio, Piazza Maggiore, Bologna

The current building is the result of the fusion of three palaces, with the oldest dating to the 12th century: the casa-torre (house-tower), well visible as it is the part of the building with the clock tower. Originally, this was the house of the jurist Accursio (hence the name given to the building, which is also known as Palazzo Comunale), an eminent professor of law at the Studium, the University of Bologna.

Accursio sold the palace to the city in 1287, and, in the 13th century, the building became known as Palazzo delle Biade because it was used as the municipal storage of grains.

In 1336, it became the seat of the Anziani (“Elders”), the highest magistrates of the city (Comune). Thirty years later, the papal legate – the representative of the pope in town – gave the building its fortified look, with walls, merlons and towers (perhaps because papal power had always been seen with suspicion by the Bolognesi).

In 1425, the building was further expanded to house the apartments of the Papal Legate.

L’Amor Patrio e il Valore Militare, Palazzo d’Accursio, Piazza Maggiore, Bologna

These bronze statues by Giuseppe Romagnoli “L’Amor Patrio e il Valore Militare” were returned to the facade of Palazzo d’Accursio after 75 years together with the plaque dedicated to King Umberto I. Originally placed in 1909 at the main entrance of the Palazzo d’Accursio, was removed and partially destroyed in 1943 by order of the Italian Social Republic, with the intention of erasing any memory of the ruling house.

Le due Torri: Garisenda e degli Asinelli, Bologna

TORRE DEGLI ASINELLI

The Tower was built between 1109 and 1119 by the family bearing the same name and was handed over to the Municipality as early as the following century. 498 internal steps lead to the top at a height of 97.02 metres.

TORRE GARISENDA

Torre Garisenda, built at the same time, is different due to its shorter height of 47 metres. It is known for its steep overhang due to a subsidence of the land and the foundations, so much so that Dante featured it in Canto XXXI of the Inferno. It was lowered for fear of it collapsing during the 14th century.

Via Zamboni, Bologna, Emilia-Romagna, Italy

Torre degli Azzoguidi (also called Torre Altabella) , Via Altabella, Bologna

Built in the 12th century the tower is one of twenty “noble towers” that still exist in Bologna. It stands at 61 metres tall and is the second tallest in Bologna.

Vicolo Tubertini (Alley), Via Guglielmo Oberdan, Bologna

Gateway, L’Antico Ghetto Ebraico (Old Jewish Ghetto), Via Guglielmo Oberdan, Bologna

Gateway, Piazzetta Prendiparte, Bologna

Galleria Giovanni Acquademi, Via Rizzoli, Bologna

Doorway, Studio Notarile Demaio, Via Albiroli, 1, Bologna

Entrance, Torre degli Azzoguidi (also called Torre Altabella) , Via Altabella, Bologna

Entrance, Torre Guidozagni, Via Albiroli, Bologna

The Towers of Bologna – the story

Bologna, Emilia-Romagna, Italy Part II

Archway, Via Zamboni, Bologna, Emilia-Romagna, Italy

Via Zamboni, Bologna, Emilia-Romagna, Italy

Doorway, Città Metropolitana di Bologna, Palazzo Malvezzi, Via Zamboni, 13, Bologna, Emilia-Romagna, Italy

See a “Virtual Tour” of the inside of this old palace.

Basilica di San Giacomo Maggiore, Piazza Gioacchino Rossini, Bologna, Emilia-Romagna. Italy

Construction of this historic church began in 1267 and was completed in 1315. It was consecrated in 1344.

Piazza Giuseppe Verdi, Bologna, Emilia-Romagna, Italy

Oratorio di Santa Cecilia, Piazza Giuseppe Verdi, Bologna, Emilia-Romagna, Italy

Doorway, Palazzo Gotti, Via Zamboni, 34, Bologna, Emilia-Romagna, Italy

Doorway, Palazzo Riario, Via Zamboni, 38, Bologna, Emilia-Romagna, Italy

Porta San Donato, Piazza Di Porta San Donato, Bologna, Emilia-Romagna, Italy

Porta San Donato, also known as Porta Zamboni, was a gate or portal of the former outer medieval walls of the city of Bologna, Italy. It was a gate into the University area of the City.

The gate was built in the 13th-century, and by 1354 was equipped with a drawbridge. It was sealed in 1428, but reopened in the following decades.

Bollard, Via Castiglione, Bologna, Emilia-Romagna. Italy

Old Stone Steps, Via de’ Musei, Bologna, Emilia-Romagna, Italy

Wall Shrine, Back Streets, Bologna, Emilia-Romagna, Italy

Bologna, Emilia-Romagna, Italy Part I

We hired a car from Florence for a drive to Bologna and what a trip. Magnificent.

Italian Countryside Panorama, Tuscany, Italy

Country Villas, Via Bolognese, Querceto, Tuscany, Italy

Castello di Villanova, Via Nazionale, Barberino di Mugello, Tuscany, Italy

Rural Ruins, Via Nazionale, Cafaggiolo, Tuscany, Italy

Misty Panorama, Via Nazionale, Cafaggiolo, Tuscany, Italy

“Warning”, Via Nazionale, Cafaggiolo, Tuscany, Italy

Panoramas, Futa Pass, Via Traversa Futa, Tuscan-Emilian Apennines, Tuscany, Italy

Ristorante Passo della Futa dal 1890, Futa Pass, Via Traversa Futa, Tuscan-Emilian Apennines, Tuscany, Italy

Panorama, Via Pietramala, Pietramala, Tuscany, Italy

Waterfall, Via Idice, Monterenzio, Tuscany, Italy

Building Ruin, Via Idice, Monterenzio, Tuscany, Italy

Hotel San Donato (Palazzo Malvasia), Piazzetta Achille Ardigò, Bologna, Emilia-Romagna, Italy

[Our place of residence in Bologna]

The hotel is in an old but fully renovated Italian Palazzo – Palazzo Malvasia which dates to the 13th century.

The Two Towers, Via San Vitale, Bologna, Emilia-Romagna, Italy

There are two towers and are commonly referred to as “Two Towers”. They date to the 13th century and are located at the intersection of the roads that lead to the five gates of the old ring wall (mura dei torresotti). It was located at the site of the early medieval Gate to the Via Emilia, the Porta Ravennate, now remembered by the name of the adjacent Piazza di Porta Ravegnana. The taller tower is called the Asinelli while the smaller but more leaning tower is called the Garisenda.

Church & Clock Tower, Via San Vitale, Bologna, Emilia-Romagna, Italy

Galleria del Leone, Piazza della Mercanzia, Bologna, Emilia-Romagna, Italy

Palazzo della Mercanzia, Piazza della Mercanzia, Bologna, Emilia-Romagna, Italy

Ferro da Facciata, Via Castiglione, Bologna, Emilia-Romagna, Italy

A ferro (plural ferri) or ferro da facciata is an item of functional wrought-iron work on the façade of an Italian building. Ferri are a common feature of Medieval and Renaissance architecture in Lazio, Tuscany and Umbria. They are of three main types: ferri da cavallo have a ring for tethering horses, and are set at about 1.5 metres from the ground; holders for standards and torches are placed higher on the façade and on the corners of the building; arpioni have a cup-shaped hook or hooks to support cloth for shade or to be dried, and are set near balconies.

In Florence, ferri da cavallo and arpioni were often made to resemble the head of a lion, the symbolic marzocco of the Republic of Florence. Later, cats, dragons, horses and fantastic animals were also represented.

[See a collection of the wonderful features here]