ITALY – VENICE III

Our time in Venice continues…>

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Vaparetto Dock towards Basilica Santa Maria della Salute, Grand Canal, Venice, Veneto, Italy


Underground, Palazzo delle Prigioni (New Prison), Calle degli Albanesi, Venice, Italy


Town Hall Courtyard, Riva del Carbon, Venice, Veneto, Italy

Plaque 1   –   Plaque 2

See in Street View


Street Lamps, Campo Santo Giovanni e Paolo, Venice, Veneto, Italy


Statue, Nicolo Tommaseo, Campo Santo Stefano, Venice, Veneto, Italy


Stairs to Cells, Palazzo delle Prigioni (New Prison), Calle degli Albanesi, Venice, Italy


Soroportego E Calle Corner, Salizada San Canzian, Venice, Veneto, Italy


Rooftops Across Grand Canal, Rialto, Venice, Veneto, Italy

Taken from our Hotel Room


Rio San Giovanni Crisostomo, Ponte dei Zagatoli, Venice, Veneto, Italy


Rio di San Salvador, Venice, Veneto, Italy


Rio del Fontego dei Tedeschi, Ponte de l’Ogio, Venice, Veneto, Italy


Rio de San Vio, Fondamanta Venier, Venice, Veneto, Italy


Rio de San Anzolo, Ponte dei Frati, Venice, Veneto, Italy


Religious Shrine, Rio Terà Antonio Foscarini, Venice, Veneto, Italy


Ponte dell’Accademia, Calle della Carità, Grand Canal, Venice, Veneto, Italy

The original steel structure opened on 20 November 1854, but was demolished and replaced by a wooden bridge opened in 1933, despite widespread hopes for a stone bridge.

One of only 4 bridges that span the Grand Canal.


Pharmacy, Campo Santo Stefano, Venice, Veneto, Italy


Palazzo Zaguri, Campo San Maurizio, Venice, Veneto, Italy

Formerly known as Palazzo Pasqualini after the Pasqualini that built it 14-15th Century.


Grand Canal, from Ponte dell’Accademia, Venice, Veneto, Italy


French Bulldog Candle, Shop Window, Calle de la Cortesia, Venice, Veneto, Italy


Doorway, Agenzia delle Entrate – Ufficio Territoriale Venezia, Campo Sant’Anzolo, Venice, Veneto, Italy


Door Furniture, Pisciner Venier, Venice, Veneto, Italy


Cistern, Campo Santi Giovanni e Paolo, Venice, Veneto, Italy

The only locally available source of fresh water in the lagoon is rain.

Since rain is intermittent, seasonal and unreliable, cisterns are essential.  When it rains the water must be collected and stored for later use.

The structures we see around Venice and in the lagoon are in reality very elaborate and cleverly engineered rain water collectors and cisterns.

The origin of the rain water collecting cisterns must go back to the very first settlements in the lagoon. Our need for fresh water is biological and cannot be rescinded, but the first remains we have are medieval.

Some older wellheads in stone clearly resemble earlier wooden wellheads, which can give us an idea, but otherwise we know little of how the earlier wells looked.


Canal View from Ponte San Giovanni Crisostomo, Venice, Veneto, Italy


Canal Access, Calle Pasqualigo detta de O’Ogio, Venice, Veneto, Italy


Bel-Air Fine Art Gallery, Calle dello Spezier, Venice, Veneto, Italy


Basilica Santa Maria della Salute, Grand Canal, Venice, Veneto, Italy


Vaparetto Dock towards Ponte Rialto, Grand Canal, Venice, Veneto, Italy



ITALY – PADOVA (PADUA) III

The final contribution from our stay in Padova. Next up is an 8 day adventure in Venice.
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Underground Public Convenience, Piazza delle Erbe, Padova, Veneto, Italy


Torre dell’Orologio, Piazza dei Signori, Padova, Veneto, Italy

The tower was built in the first half of the 14th century as the eastern gate of the Carrarese Palace, later elevated and adorned in Gothic style and equipped with the famous astronomical clock.


The Monument to Alvise Pisani, Via Altinate, Padove, Veneto, Italy

The memorial is located in the Porta Altinate one of the four “royal” entrances that opened on the communal walls of Padova. Alvise Pisani was the 114th Doge of Venice, serving from 17 January 1735 until his death. Born as a member of Pisani family, he was a career diplomat prior to his election, serving as Venice’s ambassador to France, Austria, and Spain; he also served as a councilor to previous Doges.


Street Sand Sculptor, Piazza Camillo Benso Conte di Cavour, Padova, Veneto, Italy


Street Lamp, Via Cavour, Padova, Veneto, Italy


Street Art, Padova, Veneto, Italy


Stone Carving, 6 Piazza Garzeria, Padova, Veneto, Italy


Staircase, Hotel al Prato, Via Prato della Valle, Padova, Veneto, Italy


“Spritz”, Vicolo Restaurant, Via Umberto I, Padova, Veneto, Italy


Ornate Colonnade, Palazzo Delle Debite, Piazza delle Erbe, Padova, Veneto, Italy


Old Wall, Chiesa dei Santi Canzio, Canziano, Canzianilla e Proto, Via delle Piazze, Padova, Veneto, Italy


Mondadori Bookstore, via Cavour, Padova, Veneto, Italy


Memorial, Palazzo Moroni, Via VIII Febbraio, Padova, Veneto, Italy

Dedicated to Padova’s fallen in 1928. It forms part of the town hall facade.


Markets, Prato della Valle, Padova, Veneto, Italy


Local Tram, Prato della Valle, Padova, Veneto, Italy


Gatta di Sant’Andrea, Via Sant’Andrea, Padova, Veneto, Italy

The Cat of Sant’Andrea, popularly called ‘the cat’, is a monument of medieval origin that is located in the small churchyard of the church of Sant’Andrea in Padua. The monument, composed of a stone sculpture depicting a lion on a column from the Roman age.


Gateway, Prato della Valle, Padova, Veneto, Italy


Front Garden, Hotel al Prato, Via Prato della Valle, Padova, Veneto, Italy


“Empty”, Via del Santo, Padova, Veneto, Italy


Doorway, 15 Piazza Duomo, Padova, Veneto, Italy


Colonnade, Via Roma, Padova, Veneto, Italy


Colonnade Path, Via Emanuele Filiberto di Savoia, Padova, Veneto, Italy


Chiesa dei Santi Canzio, Canziano, Canzianilla e Proto, Via San Canziano, Padova, Veneto, Italy

Chiesa dei Santi Canzio, Canziano, Canzianilla e Proto = Church of Saints Canzio, Canziano, Canzianilla and Proto

Consecrated in 1757


Building Cornerstone, Piazza delle Erbe, Padova, Veneto, Italy


Bridge Parapet, Ponte San Massimo, Padova, Veneto, Italy


Basilica Cattedrale di Santa Maria Assunta & Battistero di San Giovanni,Piazza Duomo, Padova, Veneto, Italy

Completed and consecrated in 1754.


Arco Vallaresso, Via Arco Vallaresso, Padova, Veneto, Italy

The Triumphal Arch of Vallaresso, or locally referred to as the Arco Vallaresso is a 17th-century monumental arch in the town center of Padua, region of Veneto, Italy. In 1632, the arch, designed by Giambattista della Scala, was meant to honor Alvise Vallaresso, Venetian captain of the town, for his diligence in attempting to stem the Bubonic plague in Padova.


Venetian Winged Lion, Palazzo della Ragione, Piazza delle Erbe, Padova, Veneto, Italy



ITALY – PADOVA (PADUA) II

Continuation from our time in Padova.
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Ornate Street Lamp, Piazza del Santo, Padova, Veneto, Italy


Old England Pub, Via Alessandro Manzoni, Padova, Veneto, Italy


Office Building, Cnr Prato della Valle & Via Beato Luca Belludi, Paova, Veneto, Italy


Neon Sign, Hotel Al Prato, Via Prato della Valle, Padova, Veneto, Italy

(We stayed here)


Memorial Doors, University of Padova, Padova, Veneto, Italy

The names of those fallen during The Great War are inscribed on the doors


Giuseppe Tartini, Basilica di Sant’Antonio, Padova, Veneto, Italy

Giuseppe Tartini was an Italian composer and violinist of the Baroque era born in Pirano in the Republic of Venice. Tartini was a prolific composer, composing over a hundred pieces for the violin, the majority of them violin concertos.


Fountain, Via Umberto 1, Padova, Veneto, Italy


Doors & Windows, Basilica di Sant’Antonio, Padova, Veneto, Italy


Door Knocker, Via Beato Luca Belludi, Padova, Veneto, Italy


Door Knob, 55 Umberto I, Padova, Veneto, Italy


Window Box, Via Beato Luca Belludi, Padova, Veneto, Italy


Vicolo Tabacco, Padova, Veneto, Italy


Abbazia di Santa Giustina, Via Cavazzana, Padova, Veneto, Italy


Tower, Palazzo Di Capodilista, Via Umberto I, Padova, Veneto, Italy

Building at the beginning of the thirteenth century around the already pre-existing defensive tower (12th century), it preserves most of the historical memories of the ancient Capodilista family (from 1785 Emo Capodilista), whose descendants owned the palace until the early 2000s.


Staircase, University of Padova, Padova, Veneto, Italy


Sculpture, Basilica di Sant’Antonio, Padova, Veneto, Italy


River Bacchiglione, Ponte Via Beato Luca Belludi, Via Beato Luca Belludi, Padova, Veneto, Italy


Police Convoy, Prato della Valle, Padova, Veneto, Italy


Colonnade Lighting, Via Beato Luca Belludi, Padova, Veneto, Italy


Bridge Parapet, Ponte San Massimo, Padova, Veneto, Italy


“Writing on the Wall”, Via Beato Luca Belludi, Padova, Veneto, Italy


1 Via Giovanni Maria Falconetto, Padova, Veneto, Italy


Abbazia di Santa Giustina, Via Cavazzana, Padova, Veneto, Italy


Basilica di Sant’Antonio di Padova, Piazza del Santo, Padova, Veneto, Italy



ITALY – FERRARA III

The last of our time in Ferrara


Entrance, Sala dell’Arengo, Piazza del Municipio, Ferrara, Emilia-Romagna, Italy

The Great Hall (Sala dell’Arengo) now houses the collection of stone inscriptions, sculptures and various architectural exhibits dating from the middle of the 1st century B.C. to 3rd century A.D. coinciding with the Roman period of the town’s history, when it was known as Iguvium. The exhibits are displayed around the walls of the chamber as they were set out in 1909 when the Museum was inaugurated.


Colonna di Borso D’Este, Corso Porta Reno, Ferrara, Emilia-Romagna, Italy

Dates to 1452. Borso d’Este (1413 – 20 August 1471) was the first duke of Ferrara and Modena, which he ruled from 1450 until his death.


Grand Entrance, Arcidiocesi di Ferrara – Comacchio, Corso Martiri della Libertà, Ferrara, Emilia-Romagna, Italy

Street name of:- Corso Martiri della Libertà = Martyrs of Freedom Course


Gates, Castello Estense di Ferrara, Corso Martiri della Libertà, Ferrara, Emilia-Romagna, Italy

These gates are an access to the castle moat.


Castello Estense di Ferrara, Piazzetta Castello, Ferrara, Emilia-Romagna, Italy

The Estense Castle was built in 1385, as a fortress for political and territorial military control and for the defense of the Este family, therefore also thought of as a repressive tool against possible revolts. The first stone was laid symbolically on September 29, the day of St. Michael, warrior archangel at the head of the celestial militias.

See Info at Wikipedia:


Street Lamp, Viale Cavour, Ferrara, Emilia-Romagna, Italy


Proprieta Privata, Via Ippolito D’Este, Ferrara. Emilia-Romagna, Italy


Canale di Burana, Ferrara, Emilia-Romagna, Italy


Sebastian Pub, Party Boat, Bar & Pizzeria, Canale di Burana, Ferrara, Emilia-Romagna, Italy


Via degli Spadari, Ferrara, Emilia-Romagna, Italy


Chiesa del Monastero di Santa Giustina, Piazza Cortebella, Ferrara, Emilia-Romagna, Italy

Consecrated in the 9th century and is now closed for worship and the attached former convent is a private dwelling.


Covered Staircase, Piazza del Municipio, Ferrara, Emilia-Romagna, Italy


Via Giuseppe Garibaldi, Ferrara, Emilia-Romagna, Italy


Tourist Train, Piazzatta del Castello, Ferrara, Emilia-Romagna, Italy

The Muson River 1894 is a brand of tourist trains that are scattered through out Europe



ITALY – FERRARA II

Our time in Ferrara continues…

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Medieval Bike Rack (?), Castello Estense, Ferrara, Emilio-Romagna, Italy


Stone Cannonballs, Courtyard, Castello Estense, Ferrara, Emilia-Romagna, Italy


Passageway, Castello Estense, Ferrara, Emilia-Romagna, Italy


Courtyard Wells, Castello Estense, Ferrara, Emilia-Romagna, Italy


Castello Estense di Ferrara, Lungo Castello, Ferrara, Emilia-Romagna, Italy


Passageway, Castello Estense, Ferrara, Emilia-Romagna, Italy


Bas Relief, Torre San Paolo, Castello Estense, Piazzetta del Castello, Ferrara, Emilia-Romagna, Italy


Corso Martiri della Libertà, Ferrara, Emilia-Romagna, Italy


Torre dell’Orologio & Torre della Vittoria, Corso Martiri della Libertà, Ferrara, Emilia-Romagna, Italy


Tree, Rotonda Foschini, Corso della Giovecca, Ferrara, Emilia-Romagna, Italy


Coat of Arms, Palazzo Bentivoglio, Via Giuseppe Garibaldi, Ferrara, Emilia-Romagna, Italy


Volto del Cavallo, Piazza del Municipio, Ferrara, Emilia-Romagna, Italy

Passageway between Piazza Cattedrale & Piazza del Municipio.


Barred Window, Volto del Cavallo, Piazza del Municipio, Ferrara, Emilia-Romagna, Italy


Chiesa di Gesù, Via Borgo dei Leoni, Ferrara Emilia-Romagna, Italy

It was built for the Jesuit Fathers in 1570. Following the suppression of the Society of Jesus in 1773, the church and college were entrusted to the Somask fathers. In 1933 Archbishop Ruggero Bovelli transferred the Priory of St. Michael to the church of Jesus. He assumed the name of St. Michael in Jesus. The church was damaged during the bombings of 1944. In 1986 the parish once again modified the name from “Saint Michael in the Jesus” to the current one


Mailbox, Piazza Torquato Tasso, Ferrara, Emilia-Romagna, Italy


Rusted Supports, 6 Piazza Torquato Tasso, Ferrara, Emilia-Romagna, Italy


Statue, Banco D’Italia, Cnr Corso Ercole d’Este & Piazza Torquato Tasso, Ferrara, Emilia-Romagna, Italy


Doorway, Camera di Commercio di Ferrara, Viale Cavour, Ferrara, Emilia-Romagna, Italy

Camera di Commercio di Ferrara = Chamber of Commerce of Ferrara


Street Lamp, Viale Cavour, Ferrara, Emilia-Romagna, Italy


Lamp, Via Giovanni Boldini, Ferrara, Emilia-Romagna, Italy



Chiesa San Carlo Borromeo, Via Giovanni Boldini, Ferrara, Emilia-Romagna, Italy


Carabinieri, Corso Martiri della Libertà, Ferrara, Emilia-Romagna, Italy


Guard Duty, Piazza Savonarola, Ferrara, Emilia-Romagna, Italy


Sebastian Pub, Party Boat, Bar & Pizzeria, Canale di Burana, Ferrara, Emilia-Romagna, Italy


Portico, Castello Estense, Ferrara, Emilia-Romagna, Italy


Chiaroscuro Images, Castello Estense, Ferrara, Emilia-Romagna, Italy

These images dated 1577 represent a mythological cycle of the Este family.



ITALY – FERRARA I

After out time in Siena, we travelled by train to the town of Ferrara in the province of Emilia-Romagna where we spend the next 4 days.

 

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Overgrown Gate, Via Darsena, Ferrara, Emilia-Romagna, Italy


Mazzanto e C, Via Bologna, Ferrara, Emilia-Romagna, Italy


Scultura di Mario Piva, Junction of Via Bologna & Via John Fitzgerald Kennedy, Ferrara, Emilia-Romagna, Italy


The Porta Paola, Via Donatori di Sangue, Ferrara, Emilia-Romagna, Italy

Built in 1612, Porta Paola is the largest monumental arch and passageway in the city today, greatly enhanced by its imminent new use as a Documentation Centre for the City Walls.


Wall, Via Donatori di Sangue, Ferrara, Emilia-Romagna, Italy


Fondaco del Mercanti Medioevali, Via Delle Volte, Ferrara, Emilia-Romagna, Italy

Fondaco del Mercanti Medioevali – Medieval Merchants’ Warehouse


Is It Art, 62 Corso Porta Reno, Ferrara, Emilia-Romagna, Italy


Arched Passageway, Piazetta Alberto Schiatti, Ferrara, Emilia-Romagna, Italy


Torre dellÓrologio & Porto Reno, Corso Porta Reno, Ferrara, Emilia-Romagno, Italy


Via del Podestà, Ferrara, Emilia-Romagna, Italy


Cattedrale di Ferrara di San Giorgio Martire, Piazza della Cattedrale, Ferrara, Emilia-Romagna, Italy

The cathedral was begun in 1135 and dedicated to St. George. The main altar was consecrated on 8 May 1177, and this confirms that 42 years after the laying of the first stone the eastern part was almost complete.


Torre dell’Orologio, Piazza Trento-Trieste, Ferrara, Emilia-Romagna, Italy

The Clock Tower was built in the second half of the 16th century, when the Bell of Reason was placed. In 1603 a structural restoration of the Tower was necessary and the task was given to the architect Gian Battista Aleotti. In 1864 the Clock with the luminous dial was added.  The Clock Tower is also called Torre Aleotti.


Torre della Vittoria, Piazza della Cattedrale, Ferrara, Emilia-Romagna, Italy

As part of the action aimed at recovering and enhancing the city’s building heritage, begun in the early 1920s, in Ferrara, which began with the restoration of two public buildings that are emblems of the city, namely the Castello Estense and the Palazzo Municipale, radical work was carried out on the latter’s façade, the one facing the Duomo. In particular, a new Tower of Victory was erected to replace the original one, designed by Rigobello, which had collapsed during the seventeenth century, in 1570, at the beginning of the seismic swarm that struck the city until 1574.

Built on a 14th-century model, in Gothic style and with materials reminiscent of the Este Castle, it is 57 m high and the top is crenellated, like the reconstructed façade of the Town Hall.


Stone Lion, Cattedrale di Ferrara, Piazza della Cattedrale, Ferrara, Emilia-Romagna, Italy


Equestrian Statue of Nicolo lll, Corso Porto Rena, Piazza della Cattedrale, Ferrara, Emilia-Romagna, Italy


Girolamo Savonarola, Piazza Savonarola, Corso Martiri della Libertà, Ferrara, Emilia-Romagna, Italy

Plaque Reads:-

GIROLAMO SAVONAROLA IN CORRUPT AND SERVILE TIMES OF VICES AND TYRANTS FLAGELLATORE

Girolamo Savonarola (1452-1498) was born into a noble family in Ferrara, his father being a doctor. Girolamo was educated by another relative who was also a doctor and a man of rigid religious principles. So it was inevitable that the young lad would be directed towards medicine at university and devout Christianity at home.

Already repelled by the corruption that he saw around him, Savonarola left his medical studies and withdrew into solitude, meditation and prayer. He told his father that he could not suffer the blind wickedness of the peoples of Italy. He found unbearable the humanistic paganism that corrupted art, poetry and religion itself. But even if that was so, how did young Savonarola know that the cause of this spreading corruption was a vicious clergy, even in the highest levels of the church hierarchy?

In 1475 as an adult he chose to enter a Dominican monastery at Bologna. After living quietly there for 6 years, Savonarola moved to the convent of S Marco in Florence and began preaching in the church of S Lorenzo. His style, too medieval and scholastic, failed to attract the crowds. But in 1486, while preaching in Lombardy, he began to speak directly and passionately of the wrath of God. His popularity as a preacher grew immensely.

Savonarola’s fame spread to Florence as he prophesied the doom of all tyrants who then prevailed in the world. In 1490, through the influence of Pico della Mirandola, he moved back to Florence and in July 1491 became prior of S Marco. His target evils in beautiful Florence were the vanity of the humanists and the viciousness of the clergy. Needless to say Lorenzo de’ Medici, the ruler of Florence, was not happy with the fanatical preacher. But Savonarola would not desist, and in April 1492 Savonarola made his move – he refused to grant Lorenzo absolution because the ruler would not give liberty to the Florentines.


Cobble Stones, Piazzetta del Castello, Castello Estense, Ferrara, Emilia-Romagna, Italy


Colubrina detta _La Regina, Piazzatta del Castello, Castello Estense, Ferrara, Emilia-Romagna, Italy

“The Queen” is a faithful, life-size copy of the ancient culverin, weighing over seven tons, made in 1556 by Annibale Borgognoni for the lord of Ferrara, Duke Ercole II d’Este, exhibited in the Piazza Castello in Ferrara.


Castello Estense di Ferrara, Piazzatta del Castello, Castello Estense, Ferrara, Emilia-Romagna, Italy

The Estense Castle was built in 1385, as a fortress for political and territorial military control and for the defense of the Este family, therefore also thought of as a repressive tool against possible revolts. The first stone was laid symbolically on September 29, the day of St. Michael, warrior archangel at the head of the celestial militias.

See history at Wikipedia:


Enclosed Window, Castello Estense, Piazzetta del Castello, Ferrara, Emilia-Romagna, Italy


Moat, Castello Estense di Ferrara, Piazzatta del Castello, Ferrara, Emilia-Romagna, Italy


Entrance Gates, Castello Estense di Ferrara, Piazzatta del Castello, Ferrara, Emilia-Romagna, Italy


Torch Holder in Entrance, Castello Estense di Ferrara, Piazzatta del Castello, Ferrara, Emilia-Romagna, Italy


Units of Measurement Plaque, Estense Castle, Ferrara, Emilia-Romagno, Italy

After what was at the time the drawbridge and before entering the inner courtyard of the castle, on the left there is a bas-relief with 4 horizontal iron lines.

Each of those strips represented a unit of measurement used in the city. At the time there were no portable meters, much less laser measurements, so the citizens, to measure something, could go inside the castle and were sure not to be wrong even a centimetre.

The measurements referred to the feet and arms, and these words on the slab are still visible.


Memorial Plaque, Piazza Savonarola, Ferrara, Emilia-Romagna, Italy


Monumento a Ludovico Ariosto, Piazza Ariostea, Ferrara, Emilia-Romagna, Italy

8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic Orlando Furioso (1516). -[never heard of either…:) ]


Discarded Apple, Piazza Trento – Trieste, Ferrara , Emilia-Romagna, Italy


Order of Architects P.P.C. of the Province of Ferrara, Corso Isonzo, Ferrara, Emilia-Romagna, Italy


Drogheria Bazzi & C. – Taverna con Bottega, Piazza del Municipio, Ferrara, Emilia-Romagna, Italy

We enjoyed a couple of evening meals here!


ITALY – SIENA II

More shots from Siena

IHS Christogram, Palazzo Publico, Piazza del Campo, Siena, Tuscany, Italy


Date Clock, Torre del Mangia, Palazzo Publico, Piazza del Campo, Siena, Tuscany, Italy

San Pietro in Castelvecchio, Via San Pietro, Siena, Tuscany, Italy

Loggia della Mercanzia, Via di Città, Siena, Tuscany, Italy

Two statues on the outer pillars of the loggia depict St. Peter and St. Paul and are from Vecchietta (1458 - 1462); the other three statues depict three of the four ancient patron saints of the city, San Savino, Sant'Ansano and San Vittore, and are by Antonio Federighi (1458-1459). (not all included here)

Entrance, Palazzo Chigi Zondadari, Banchi di Sotto, Siena, Tuscany, Italy

Duomo di Siena, Piazza del Duomo, Siena, Tuscany, Italy

Old Staircase, Museo Archeologico Nazionale, Piazza del Duomo, Siena, Tuscany, Italy

  Exhibits Beneath Museo Archeologico Nazionale, Piazza del Duomo, Siena, Tuscany, Italy

 Beneath Museo Archeologico Nazionale, Piazza del Duomo, Siena, Tuscany, Italy

Doorway, 18 Via Fusari, Siena, Tuscany, Italy

Courtyard, La Terrazza Sul Campo, Via di Città, Siena, Tuscany, Italy

Passageway, Via di Città, Siena, Tuscany, Italy

Wine Shop, Via di Città, Siena, Tuscany, Italy

Key Hole & Knocker, Via dei Pellegrini, Siena, Tuscany, Italy

Cellar Stairs, Il Battistero Siena Residenza d' Epoca, Piazza San Giovanni, Siena,Tuscany, Italy

The four-storey Il Battistero Siena Residenza d' Epoca is an historic palace on St. Giovanni Square in front of the Cathedral Baptistery. A Pope, famous authors, artists and architects have all stayed here. Below the Palace and Square is a stone cellar and medieval aqueduct – a secret path once used by Pope Alexander VII.

Morning Frost, Via Fosso di Sant'Ansano, Siena, Tuscany, Italy

A New Friend, Via di Città, Siena, Tuscany, Italy

Stone Framed Window, Via dei Pittori, Siena, Tuscany, Italy

Old Statue, Palazzo Pubblico, Piazza del Campo, Siena, Tuscany, Italy

Torre del Mangia, Palazzo Pubblico, Piazza del Campo, Siena, Tuscany, Italy

Window & Arch, Palazzo Pubblico, Piazza del Campo, Siena, Tuscany, Italy

Ferro di Facciata, Palazzo Pubblico, Piazza del Campo, Siena, Tuscany, Italy

RP 1746, Piazzetta dell'Indipendenza, Siena, Tuscany, Italy

Unity Commemoration, Piazzetta dell'Indipendenza, Siena, Tuscany, Italy

Bust, Piazzetta dell'Indipendenza, Siena, Tuscany, Italy

ITALY – SIENA I

The next leg of our journey is spending four nights in Siena, staying in a wonderful old building that once accommodated popes.


Basilica Cateriniana San Domenico, Piazza San Domenico, Siena, Tuscany, Italy


Battistero di San Giovanni Battista, Piazza San Giovanni, Siena, Tuscany, Italy

Siena Baptistery of San Giovanni – built between 1316-1325. This is right outside our front door.


Bust of Francesco di Giorgio Martini, Piazza San Giovanni, Siena, Tuscany, Italy

Francesco di Giorgio Martini…1439-1501 was an Italian architect, engineer, painter, sculptor, and writer.


Stairs, Il Battistero Siena – Residenza d’epoca, Piazza San Giovanni, Siena, Tuscany, Italy


Old Door, Piazza Del Duomo, Siena, Tuscany, Italy


Doorway, Via Del Capitano, Siena, Tuscany, Italy


Hand Painted Ceramic Plate, Ceramiche Antica Siena, 29 Il Campo, Siena, Tuscany, Italy


Fountain & Christmas Tree, Piazza di Postierla, Siena, Tuscany, Italy


Costa Larga, Siena, Tuscany, Italy

See Google Street View


Wall Point, Via di Città, Siena, Tuscany, Italy

See Google Street View


Vicolo di Tone, Via di Città, Siena, Tuscany, Italy


Statue of Pope Julius III, Chigi Saracini Palace, Via di Città, Siena, Tuscany, Italy


Water Well, Santuario Casa di Santa Caterina, Costa Sant’Antonio, Siena, Tuscany, Italy


Door, Palazzo Chigi Saracini, Via di Città, Siena, Tuscany, Italy


Chiasso del Bargello, Siena, Tuscany, Italy


Historic Building, Siena, Tuscany, Italy


Ferro di Facciata, Via dei Pellegrini, Siena, Tuscany, Italy


Ditta Lombardi, Piazza del Campo, Siena, Tuscany, Italy


Palazzo Pubblico, Piazza del Campo, Siena, Tuscany, Italy

The Town Hall


Piazza del Campo, Siena, Tuscany, Italy

This is the site where the Palio di Siena is held twice yearly


Romulus & Remus, Palazzo Publicco, Piazza del Campo, Siena, Tuscany, Italy


Security Patrol, Piazza del Campo, Siena, Tuscany, Italy

These patrols are everywhere you go in Italy


Former Taverna, Via Sant’Agata, Siena, Tuscany, Italy


View over Town, Via di Fontarella, Siena, Tuscany, Italy

The church tower in the distance is San Clemente in Santa Maria dei Servi


San Pietro in Castelvecchio, Via San Pietro, Siena, Tuscany, Italy

Initially built in the 12th century, this parish church was completely rebuilt in a Baroque style in the 17th century; the brick facade has a portal with a depiction of Glory of St Peter. The belltower dates to 1699, and the facade to 1706.


Exhibit, Museo Archeologico Nazionale, Piazza del Duomo, Siena, Tuscany, Italy


ITALY – PISA III

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Birthplace of Vincenzo Galilei at the junction of Via Mercanti & Borgo Stretto in Pisa, Italy

Vincenzo Galilei (3 April 1520, c. 1520, or late 1520s – buried 1 or 2 July 1591) was an Italian lutenist, composer, and music theorist, and the father of astronomer and physicist Galileo Galilei and the lute virtuoso and composer Michelagnolo Galilei. He was a seminal figure in the musical life of the late Renaissance and contributed significantly to the musical revolution which demarcates the beginning of the Baroque era.

In his study of pitch and string tension, Galilei produced perhaps the first non-linear mathematical description of a natural phenomenon known to history. It was an extension of a Pythagorean tradition but went beyond it. Many scholars credit him with directing the activity of his son away from pure, abstract mathematics and towards experimentation using mathematical quantitative description of the results, a direction of utmost importance for the history of physics and natural science.





Originally built from 1440 & reconstructed after taking damage, this fortress now houses a garden




Inscription:

A ULISSE DINI
MATEMATICO INSIGNE
ONORE DELLO STUDIO PISANO
GLORIA D’ITALIA
CITTADINO BENEMERITO
PISA RICONOSCENTE
1845-1918».

Translation:

TO ULISSE DINI
NOTABLE MATHEMATICIAN
HONOR OF PISAN STUDY
GLORY OF ITALY
WORTHY CITIZEN
GRATITUDE OF PISA
1845-1918



Part of the Museo delle Sinopie used as the ticket office for the attractions.


Constructed in 1278, the Camposanto was established to safeguard the burial sarcophagi that were in the Cathedral in a new building. As such, it has a collection of sarcophagi from Roman, medieval, and Renaissance times. It is decorated with an amazing collection of frescoes that you can see reconstructed in pictures in the museum. It was one of the first burial structures that became a museum.



Taken from the upper dome of the Baptistery.





This pulpit dating to 1310, survived a fire in 1595. Having been packed away during the redecoration, it was not rediscovered and restored until 1926. The pulpit is supported by plain columns (two of which are mounted on lion’s sculptures) on one side and by caryatids and a telamon on the other: the latter represent Saint Michael, the Evangelists, the four cardinal virtues flanking the church, and a bold, naturalistic depiction of a naked Hercules. A central plinth with the liberal arts supports the four theological virtues.

The present-day pulpit is a reconstruction of the original. It does not lie in its original position, which was nearer the main altar, and the columns and panels are not original. The original stairs (perhaps of marble) were lost.



Construction began on 17 April 1565 in order to build a church for the Order of Knights of St Stephan, founded by the Grand Duke Cosimo de’ Medici to fight Saracen piracy in the Mediterranean.


A long history dating to1061 but is now the official church of the University of Pisa.


Grand Duke Pietro Leopoldo bought this tower in 1785 and merged a new bell by Alessandro Tognozzi to mark the hours of study for the students of the University, starting at 7.30 in the morning.

The bell was inscribed:-

Audite disciplinam et et estote sapientes.

Translated:- Hear instruction and be wise.


Cassetta Per le Lettere = Mailbox


ITALY – PISA II

Ruins of Largo del Parlascio, Largo Parlascio, Pisa, Tuscany, Italy


Porta a Lucca, Largo Parlascio, Pisa, Tuscany, Italy


Monument to Paolo Savi, Orto e Museo Botanico, Via Roma, Pisa, Tuscany, Italy


26-28 Via Santa Maria, Pisa, Tuscany, Italy


Dingy Lane, Via Santa Maria, Pisa, Tuscany, Italy


Across the River Arno, Lungarno Antonio Pacinotti, Pisa, Tuscany, Italy


Ponte Solferino, River Arno, Pisa, Tuscany, Italy


River Arno, Ponte Solferino, Pisa, Tuscany, Italy


Vicolo del Ricciardi, Lungarno Gambacorti, Pisa, Tuscany, Italy

[“Vicolo” = Alley]


Vicolo del Mecherini, Lungarno Gambacorti, Pisa, Tuscany, Italy


Lungarno Gambacorti, Pisa, Tuscany, Italy


Ponte Mezzo, River Arno, Pisa, Tuscany, Italy


Palazzo Pretorio, Piazza XX Settembre, Pisa, Tuscany, Italy


Logge dei Banchi, Piazza XX Settembre, Pisa, Tuscany, Italy


River Arno, Ponte di Mezzo, Pisa, Tuscany, Italy


Palazzo Pretorio (L) & Logge dei Banchi(R), Piazza XX Settembre, Pisa, Tuscany, Italy



Alfresco Dining, Vicolo del Vigna, LLungarno Antonio Pacinotti, Pisa, Tuscany, Italy


Cinema Lumiere, Vicolo del Tidi, Lungarno Antonio Pacinotti, Pisa, Tuscany, Italy


Shutter of Closed Shop, Via Bernardo Tanucci, Pisa, Tuscany, Italy


Via Santa Maria, Pisa, Tuscany, Italy


Torre di Pisa, Piazza del Duomo, Pisa, Tuscany, Italy


Ferro di Facciata, Via Santa Maria, Pisa, Tuscany, Italy

[Used in medieval time for tethering horses – see more]


Chiesa di San Sisto, Piazza Francesco Buonamici, Pisa, Tuscany, Italy

[Constructed between 1087 and 1133]


Stone Bordered Doorway, Chiesa di San Sisto, Via Corsica, Pisa, Tuscany, Italy

Stone Bordered Doorway, Via Corsica, Pisa, Tuscany, Italy


Vintage Street Lamp, Cnr Via Ulisse Dini & Via delle Sette Volte, Pisa, Tuscany, Italy


Street Lamp, Borgo Street, Pisa, Tuscany, Italy